1/21/2024 0 Comments Divine drag queen pop artCredit: Helen Liĭivine’s most infamous moment of notoriety came in 1972, when she rounded off Waters’ cult classic Pink Flamingos with one of the most iconic scenes in cinema history. They pioneered a blueprint that intrigued fans, who were as disgusted as they were fascinated. Their shared goal was to shock audiences, which meant that nothing was off-limits: from vomit and incest to lobster fetishists and rosary-strewn sex toys. When The Cockettes travelled to San Francisco, she donned a red lobster costume and joined them for a cover of their song, “A Crab On Your Anus Means You’re Loved.”ĭivine was at her best when cracking dirty jokes and leaning into the freaky worlds of Waters’ creation. The look was eye-catching, but it was Divine’s filthy humour that marked her out as a star. This led to a distinctive signature look: bright, exaggerated eyeshadow that crept up to the edge of a severely shaved-back hairline, a radical and comical commentary on beauty standards. As the years went by, Divine’s make-up developed as Waters encouraged him to go more dramatic. Together, they built a reputation as the art world’s most fabulous, provocative freaks.Īs Divine, Milstead-who was bullied severely at school for his weight-began to embrace his body by pouring it into short, tight dresses. There was the deranged, dragged-up Jackie O in Eat Your Makeup (1968), who kidnapped supermodels and forced them to eat their make-up kits then there was the homicidal, bottle-blonde pin-up of Mondo Trasho (1969). The results showed that Divine could take on any role. Waters had already made an experimental short film, Hag in a Black Leather Jacket (1964), and together they began to work on a series of trashy, low-budget shorts. The duo wasted no time in building a creative relationship, recruiting a handful of queer misfits for an art collective, The Dreamlanders. After meeting through mutual friends in the early 1960s, Waters and Milstead quickly bonded over a love of trashy counterculture and their shared outsider status. “The most beautiful woman in the world… almost.” This was how cult film director John Waters described his muse Divine, the filthy, inimitable drag persona of Baltimore-born Glenn Milstead.
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